transplants

Aug. 8th, 2013 11:20 pm
violetcheetah: (Default)
There was no writing workshop this week, but Toni supplied a prompt via Facebook. It led me to try again to write a piece I first attempted over a month ago.

-----

She said she should really plant some trees. Not that she wanted to, but people kept telling her she should. The two ageless maples that had grown near the house she'd lived in for nearly 50 years had broken in the ice storm, and now all that was left were the stumps, two feet in diameter. People told her the acre looked so bare, and to my mind they were right: the small ranch house, green siding fading into the surrounding grass, at the top of the now-treeless hill. No flowers, of course; my father thought flower beds were too much trouble, and my mother never objected, whatever her feelings. From the road, the house looked both small and ominous, shrunken and looming.

Well, I could plant trees, I said, if she could get them delivered from whatever nursery she bought them from. She said actually, she'd been thinking of just digging up some from the overcrowded eastern fence row. I said I would love to do that; it appealed to my frugality and my love of the underdog, of the overlooked. Just pick out the ones you want, I said, and tell me where you want them planted. But she didn't get around to it that year.

That was April 2010, the first time I'd been "home" since December 1996. I asked again about the trees on my next visit, a year and a half later so I could be there for the family reunion so she could show me off to the relatives. She got as far as saying she'd like a couple of redbuds, maybe, maybe over thataway — she motioned toward where the clothesline used to be — she definitely didn't want them too near the house, for the next ice storm to topple. She was 69 years old, and they would be saplings when I planted them, but that was her wish. Or maybe, she reconsidered, along the western boundary, one or two to break up the expanse between her yard and the empty acre next to it. But things were busy, my brother was home and wanted to go places, and she never made her selections.

Last September was just as busy: my brother home, the family reunion, the couple of days I wanted to spend with my stepsister across the state. But I had a drive this time, overcoming my own inertia and hers, as well. I chose a tree, one I could get to, one that was at the upper end of what I thought I could manage, and I showed her: I'm thinking that one. She didn't say no, and I got out the shovel.

It was warm and humid even in mid-September, so I didn't work during the heat of the day. I spent a couple of hours in the morning, stopping about the same time the dew dried, and then went back out near sunset, digging until I could no longer see and then maybe 15 minutes longer. It was hard, harder than I'd thought, and I usually expect the worst. The ground was solid clay and clotted with sawbriar roots, tangled like barbed wire and nearly as strong. I was concerned that I wasn't hitting many roots from the sapling, but I Googled "redbud roots" and found that they have a taproot. I pictured something as big around at the three-inch trunk, maybe several feet deep, and wondered how it would deal if I had to cut through partway down. If I got that far; I thought I might have to fly home before I ever finished, leaving a dry moat and a mound of dirt until the next visit.

But once I got past the first six inches, the sawbriar roots petered out, and without them I could get a bit of purchase on the clay. With two days left, I reached the pivotal moment, when the tree leaned a bit to one side, a bit more with the shovel as a lever, then with my boot against the trunk, rocking it farther and farther askew, more work with the shovel, more shoving, and finally I put my boot against the shovel handle and rocked that, eyes squinted, ready for it to splinter at any moment. But there was no sudden crack, just the tree tilting with a creak until the branches brushed the ground, a deeper creak from within the soil as the taproot broke free, or just broke, and then there was air below the suspended root ball.

I measured the tree while it was supine; it was 14 feet tall. The taproot was pitiful, barely an inch thick, twisted and forked as it had tried to find a path down through clay too hard even for its wooden will. I was glad I'd carved out a wide root ball, because it would need all the strength it had. I was less glad once I started trying to drag the tree and roots and earth across the acre and up the hill; it took me close to half an hour of full-out sweat-dripping cursing to get it to its destination. Planting was the easy part, even counting the ropes and stakes and pulling it upright from side after side until it only leaned a little, and that into what would be the winter wind.

There were also four other trees, smaller ones whose roots had been so close to my prize that they were all but dug up anyway. I planted two on each side of the 14-footer, each a third of the way down the hill. One was a smaller redbud, two were maples — one barely a yard high — and one was a mystery, with online research leading me to guess hickory.

I called my mother in May, the first call I'd made since I'd gotten the letter in November, the letter telling me I'd made up most of my memoir out of whole cloth. It hadn't even occurred to me to call her after the Marathon bombing, and she'd never called me to ask if I'd been affected. We didn't talk about the bombing, or the letter; it was as if she'd never sent it, as if she'd never read my story. She told me that four of the five trees had survived the winter; only the mystery tree hadn't leafed out. The big redbud had even bloomed — not a whole lot, she said, but promising for the first year. A couple of weeks later, I got my birthday card, and a note that said the mystery tree had leafed out after all.

I don't know how they've fared over the summer; I haven't had the strength to call. I don't know when I'll see them — not this year, I know — or if they'll be alive when I'm next at the house where I grew up. I don't know what my mother feels when she sees them. Loved? Cared for? Looked after? I don't know what I feel. I know that what I can give her is not what she wants. But I gave her what I could, dirt and sweat and stubbornness, and a line of fragile, stubborn sentinels who will dig as deep as they are able, doing everything they can to live. Maybe it will be enough.



violetcheetah: (Default)
[This was an event that happened nearly 20 years ago.  I have turned it over in my head ever since, but never written it down.  I always thought it would be a poem.]

I'm waiting at the last bus stop in this well-groomed suburb, knowing I have not gotten the job for which I interviewed, not sorry because I knew as soon as I walked in that I didn't want to work there, but sorry because I needed the job, and I wanted them to want me, and I can tell myself they were likely looking for someone older than 22, but I know that it was something else, something offputting about me, perhaps I shook his hand too vigorously, or perhaps it was the skirt, long and full instead of pencil, or the lack of makeup, or just that I can't pass for their social class, that I don't -know- what type of skirt to wear, or what color eyeliner, that I can't shake hands limply. I wouldn't have lasted there two weeks. What I really want is for it to have been the kind of place that I -could- have worked at, the kind I imagined when I read the want ad.

It has stopped raining, but it's late October and the air still feels heavy and dull. What few leaves had been left on the trees were knocked off by the morning's downpour, and the bare branches are dark with damp as if with black mold. Along the curb, the fallen leaves have been crumpled and crushed by passing cars, the rain turning them into paste. What little color was left in each leaf has mixed together into grey-brown drabness.

Near the middle of the road, there is one intact leaf. It throbs with glowing red and orange, shimmers in the breeze with a sheen of water. It is half-stuck to the damp pavement, fluttering hopefully with each gust, but never breaking free. A car approaches, and I am not aware that I'm holding my breath until the car has passed, tires straddling the leaf, its wake almost enough force to pull the leaf from the asphalt. But only almost.

I am poised now to rescue it. It's only four paces if that, but now suddenly the cars come one after the other, an early rush hour, or parents picking up their children from after-school dance and soccer and tutoring and karate. They are in a hurry, and I don't dare, and I watch the wheels pass so close, it shivers, I anthropomorphize, I know this, it's ridiculous, I know this, my hands should not be clenched, my throat aching with the desire to yell, to tell them to stop, don't you see, just stop and give me five seconds, that's all it will take. An SUV's wake provides enough wind to finally release it from the pavement, but it swirls in an unseen current, only a couple of inches off the ground, coming to rest again only a foot farther down the road, and closer to the path of the passenger tires, and I don't want to look, but I have shifted past the front of the bus stop to witness, so it won't go alone, I anthropomorphize, it's ridiculous, I hear the low whine and turn to see the school bus coming, slow but unstoppable, do they have double wheels in the back, because if so, and I don't look away, I watch the spot I can't see through the bus, until the bus recedes, the spot is empty now. Then behind the bus, a flash of orange six inches off the pavement, a foot, spiraling up, and out, skidding to a slow stop on the sidewalk like a plane landing on a runway.

How long have I not been breathing?



A poem

Jul. 31st, 2013 11:15 pm
violetcheetah: (Default)
From tonight's workshop:

-----


I am a footless bird, but no matter, you say:
You only need wings to fly.
How much better this is,
To be unhampered by useless limbs
Dangling in your slipstream or else
Taking effort to tuck away beneath your tail feathers.
You say this in the light of day
As I soar above and survey the fields,
But the sun it setting,
And I, too, wish to descend and rest.
I glide toward a middling pine bough,
Reach out to grasp it —
And sail past and below it,
Banking hard to keep from slamming into the ground,
For those are phantom talons
That will never wrap around a roosting branch,
Will never touch a place to sleep.
The sun sets again and the moon rises,
And my wings stumble on beneath the stars,
Looking for a perch that cannot be.


-----

As with many of the things I've written in the last year or so, the initial metaphor has been in my head for... Okay, I remember that I was still an MIT student, so literally half my life. I didn't plan for the poem to go where it did; I figured that, like most of my depressing pieces, it would end on a hopeful note. It bothered me enough to trigger a dissociative episode when it was read for the other workshoppers (It bothered me enough I couldn't do my own reading, too.) I'm aware that if I'd written it on almost any other night, it might have taken a different direction. That disturbs me. Scares me. Because it's true of anything I write. I have had the edge of that awareness before, but I don't look at it too closely, and now I know that it's because it's overwhelming to think that every time I write something, and it just feels right, every time I have that sureness that this is where the scene was "meant" to go, that it just fits together... it's a lie. If I had written that scene three days earlier, or two hours, or next year, it might go a completely different route, and that route would feel like it was the only possible route.

And in the middle of writing the above paragraph, I realize that I have written something very similar before. I don't remember if it was in another blog post, or in an email to a friend, but I had forgotten until right now that yes, I -have- stared down this realization before, have turned it over in my mind enough to put it into words, and then completely put it out of my thoughts. Which is a whole nother level of scary. What would I have done, what would my mind have done to me, if I'd recalled that memory when the poem was being read? -Did- I recall it then? Is that what freaked me out? I don't know. But I can look at it now, head-on, with discomfort but without turning away. I guess that's something.


violetcheetah: (Default)
[I don't always write from the prompts in the workshops, but I did this time. The prompt was two words: "Final exams".]

You know that dream that everyone has, where they show up to class and it's the day of a big test and they never studied for it? I never had that dream. Not in high school, or college, or grad school. Not until I'd been done with classes for two years or more, was settling into a full-time editing job and starting to pass as a responsible adult. Then I'd have those dreams once a week or more.

When I was a kid, I dreamed that the bus was coming and I just realized I'd forgotten to put on my shoes. I was waiting at the end of the driveway, I could see the bus turning the corner onto my road, a quarter-mile away, and without looking down I would suddenly become aware of my naked toes, and now it was too late to sprint back up the hill and into the house and into my bedroom and I'd need socks, too, and maybe I could just grab the socks and shoes and run down and put them on on the bus, but, no, there was no way, no time, the bus was bearing down and it was too late, and I just stood helplessly watching it approach and curling my toes under in hopes that the driver would just not notice and let me on barefoot. I never found out; I always woke up before the bus arrived.

There was another dream I started having even before I started first grade, if you can call a flight of fancy you have just -after- you wake up a dream. Understand, I was a smart kid. My mother claims I was reading by 18 months old, and I don't really buy that anymore, but I know I was correcting her when she read to me from the time I was three, pointing to the words she skipped over in brand-new picture books. Everyone told me I was smart. Even my father told me I was smart. In this waking dream I had, I knew that when I opened my eyes, I would find that people were gathered around my bed. Friends my own age, teachers once I'd started school, grown-ups from church who had always been charmed that I could memorize bible verses for Sunday School, the pastor I adored, aunts and uncles, and my own parents, all stood around me. And as soon as I opened my eyes, I knew they would all start laughing, because it had all been a joke. They'd all been pretending I was smart, pretending that the things I did were anything special, that other kids didn't learn to read until they started school, that other kids didn't count to 1,000 for fun. Everyone in the world was actually immeasurably smarter than I was, and I was like a pet, an indulged hamster that they'd led to believe was intelligent, because they found it highly entertaining to watch the hamster stride around like it was on equal footing. But now the fun was over, and it was time for me to go back where I belonged, in a cage or a pen or some place I had no name for, but away from them all, as they got on with the business of whatever life was like for actual people.


violetcheetah: (Default)
I stepped off the train in Davis Square this afternoon and it smelled just like the storm cellar we had when I was growing up. It's not the earthy smell of mold, but the smell of water and stone — concrete is still stone — and the promise of something. Solace. Refuge.

I grew up near Mammoth Cave, a national park of limestone caverns. I only went three times, always in summer, and always they tell you to bring a jacket, because summer or winter, it's always 54 degrees Fahrenheit once you go below the surface. The ranger always gave the standard disclaimer: there probably wouldn't be a cave-in, but if that was a fear of yours, you might want to just go up and have a picnic instead. For the rest of us, well, if the worse happened, our families would thank us for the savings in funeral costs, because "You can't get buried any deeper any cheaper."

I used to be terrified of thunderstorms. As soon as the wind picked up, I wanted to go to the cellar, close the two doors behind us and wait in the cool womb with the jars of canned tomatoes. But my parents said there was no need. It would probably miss us. Each time, it would probably miss us, and the TV station would let us know if there were an actual tornado. I stood at the kitchen window and watched the leaves strip from the trees, not standing too close to the window lest a branch fly off a tree and break the glass. I could not sit, could not watch TV, could not look away. If a funnel cloud were coming, I wanted to see it coming, I wanted to know I was about to die and how many seconds I had.

It was just as bad in a car, maybe worse, with the fear of lightning burning your body from the inside out, and they could tell me I was safe as long as I didn't touch the metal parts of the car but I couldn't make myself believe them. We seemed to be speeding, hurtling down the road at 100 miles an hour, faster than my father drunk on the interstate, the car weaving in the crosswinds. I always begged to stop, to wait out the storm on the side of the road, but they said the sooner we got home the sooner we'd be safe.

I was 11 when we drove home from church in an afternoon thunderstorm. I think I'd stopped begging by that age, but I prayed silently: Just let us get home, I will do anything, just don't kill me here in the open but enclosed in this coffin of metal and glass. My brother was driving, and he had to drive around downed limbs — maybe entire small trees — and I watched the branches flail on the hill in front of us and knew one would crush the roof of our Datsun if it fell on us. I was watching the trees and willing them to stay intact, so I saw when 50 yards in front of us, the lightning bolt split the huge forked tree in half. Through the jagged white line etched into my eyes, I saw the ball of fire billow out from the fork, saw the left half of the tree separate from the rest. It didn't fall like I'd expected, didn't hinge down like a door at the joint, with the tips of the branches landing first. No: That entire half of the tree seemed to move a few inches to the left, pushed aside maybe by the fireball, and then seemed to stay suspended in midair for long seconds, like a cartoon character who's run off the end of a cliff. It hung for a moment, and then it all came crashing down, broken end first, into the ground like a javelin, still upright until gravity pulled its lopsided self over to rest.

It should have terrified me. It should have stopped my heart. Instead, it slowed it, stopped my tears, started my breath. I still don't know why it gave me peace.


violetcheetah: (Default)
At the beginning of the year, I joined a Dreamwidth community of writers who pledged to write 75,000 words or more in 2013; I pledged 76,666, because I'm perverse. So now that the first quarter of the year is over, here's a status update.

Including the novel chapter I posted today (cuz I wrote most of it before the calendar rolled over to April, so there), I've written 12,852 words of "real" writing — somewhat-thoughtful blog posts, a poem, pieces of the novel. According to my anal-retentive spreadsheet, this means I've written almost exactly 62 days' worth of stuff. Which puts me not quite a full month behind where I should be. Bleh. But on the plus side, 5,839 of those words were in March. 5,055 of those were in the last half of March. If each half-month left in the year is like the last half-month was, I'll clear 100,000 words! Yeah right.

But the most interesting thing to me about the last two weeks is how I've been writing. I have never been an "x number of words a day every day" writer. I can't just set aside 15 minutes here, or 20 minutes there. I write like I sleep: it takes me an hour or more to wind down and get into the trance-like place where I can fall into sleep, or fall into writing. What's the point of a mid-day nap if it's going to take longer to fall asleep than you'll spend asleep? I need to let my mind finish spinning like a hamster on a wheel, wear itself out like a kid at recess.

At least, that's what I've done up until the last couple of weeks. Two weeks ago, I started playing with a scene during an acupuncture session. I've done that a few times — it's not like there's a lot you can do with needles stuck in your hands and feet — and I'd think some more about whatever scene was in my head on the train ride home, and then maybe settle down and write when I got home. Of course, those other times, the session was in the afternoon, so I'd be home hours before bedtime. Now I have that pesky job, and the sessions are at 7:30 p.m., and the train doesn't get me home until 10 p.m., or in this case, because I just missed a train, 11:30. With over an hour to kill before the train leaves.

I knew I wouldn't have time to finish the scene before the train, or even on the train ride, and I'd need to go to bed pretty much when I got home, and then I'd be getting up to go to work again, with no long space of time to think until that next night. And yet, I opened the file. Stared at the page a couple of minutes, and I guess I wrote a sentence, and then another, and then the train was boarding, and I wrote more on the train, and then it was my stop, and I had a late snack and went to bed and got up, and I had 30 minutes before I had to leave for work, so I wrote, and then on the train to work, and then during lunch, and then home. I didn't need to settle in each time; I'd just reread the last couple of sentences, remember where I was going, and go. It was easier than finding my place in a book I'm reading by, you know, another author.

WTF, brain? I mean, it's nice, but why now? Why not, say, in grad school? Gift horse, I know, but it drives me crazy to not understand why I do things. Why was last month different from all other months? (Sorry; that wasn't planned, it just popped into my head right now, and I couldn't resist.) Is this my new normal, or was it a brief fluke and I'll go back to my usual binge/marathon method? If I do revert, will I be able to not beat myself up over reverting, or will I berate myself for being a lazy, self-indulgent dilettante?

I guess I'll find out next month.




violetcheetah: (Default)
Two scenes; "Adam" in the first scene is Trudy's social worker. Read more... )




violetcheetah: (butler)
I pretty much never do silly-homage poetry, but on the way home last night, shivering in 25 degrees after a high in the 50s the day before, the line "Beware the Ides of March, my son" popped into my head.  Today during my lunch break and my homeward commute, I worked out the rest.

-----

Middle-Marchy
(with no apologies to Lewis Carroll)

'Twas sprinter, and the grimy roads
Did run with water from the rain;
All slushy were the sidewalk curbs,
And the slurry clogged the drains.

"Beware the Ides of March, my child
The winds that bite, the boughs that crack!
Beware the fickle weather mild:
It will change in half a snap!"

She put her YakTrax on her boots;
Already were the sidewalks fraught—
No resting by the maple tree,
The temperature was Aught.

And as she trudged the gritty road,
Above, the looming sky of grey
Let loose its load of stinging snow,
Wind shrieking as it came!

One, two! One, two! Her boots strode through,
The YakTrax going clicker-clack!
Through the door, and home once more,
And met by hungry cats.

"Oh hast thou come, prehensile thumbs?
Spoon the tuna on our plates!
Serve our kibble without quibble,
Lest hunger make us faint!"

'Twas sprinter, and the grimy roads
Did run with water from the rain;
All slushy were the sidewalk curbs,
And the slurry clogged the drains.

-----

The original, for comparison:

Jaberwocky

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

"Beware the Jabberwock, my son
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"

He took his vorpal sword in hand;
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

"And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!"
He chortled in his joy.

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.
violetcheetah: (Default)
In December, I posted the letter my mother sent me after she read my memoir about my father. After two months of subconscious percolation, I sat down last night and composed a response. I don't know if I will send it pretty much as it is, or if I should further temper my words. I'm not expecting a warm reply; my goal isn't to mollify and smooth things over, and I think anything honest I say is going to make her defensive, because my version of reality is... just not one she's comfortable with. I don't want to be wantonly provocative, but there were things she said that I couldn't not call out because they were unacceptable (which sounds like I'm disciplining a 5-year-old: "Timmy, that's unacceptable, you need a time-out.") and there were places where her version of events not only didn't fit my memory, but seemed to contradict themselves or contradict facts. It worries me. Denial and defensiveness are understandable, but when I can't see the internal logic... well, she's 70, and she still seemed pretty mentally sharp when I was visiting in September, but I'm a worrier. Anyway, I welcome any thoughts on whether I'm too harsh, not harsh enough, not clear enough, whatever.

Also, if you want to read the memoir that is the source of the friction, it's gonna be free on Kindle tomorrow, presumably from about midnight to midnight Pacific Time.

My reply behind the cut )




violetcheetah: (Default)
I almost always write scenes in order, not skipping over anything, but I decided to go against every fiber of my authorial being and go straight to the pivotal scene. So I've skipped over the scene where Trudy meets Amy — who is nonverbal but does babble with speech-like cadences — most likely insults her, gets reprimanded by the foster parents, and just in general is a bitch and gets called on it, despite having just tried to kill herself. Anyway, I want this scene to be confusing, since it is from Trudy's point of view and makes no sense to her. But I don't want it to be too confusing, or at least not too infuriatingly confusing. So I welcome critique on whether anyone has a clue of what's going on, and if not, whether you are okay with that for now.
And: scene: )




violetcheetah: (Default)
The intro to a YA novel I haven't worked on since 2002. Apparently I only wrote half this one scene at the time, then kinda dropped it.

Read more... )





violetcheetah: (Default)
I didn't know it at the time, but the uprooted violets marked the end of my cutting. At least, as far as I know: It's been 12 years, but I don't think I'll ever completely trust that I'm done. So yeah, I was cured by a major depressive episode. The events of this memoir — and my era of self-mutilation — lasted almost exactly 10 years.

I continued to see my shrink for another 11 years, until he closed down his practice a year ago. I was his last patient.

I'm still taking Prozac and Risperdal, and probably always will.

Sixteen years after our "breakup," Chris remains one of my closest friends.

I went back to visit my mother a couple of years ago, after not seeing her for nearly 14 years. When I got back, my shrink asked how it had gone, and I said, "Surprisingly well. She treated me like an equal. Like an adult."

"How did you feel about that?"

"It was weird. But nice. I mean, it's good when your parents respect you."

"That's an awfully self-centered view of the relationship."

I didn't even have to glance at him to see his sardonic smile. "Go onnnn."

"Well, you're assuming that your mother's respect of you has anything to do with you. With how deserving you are of respect. Which presumes that 14 years ago, 20 years ago, 30 years ago, you were not deserving of respect. That's a dangerous presumption."

On one hand, it kind of burst the warm, fuzzy bubble I'd blown around myself. I felt the edge of that anguishing, aching hunger that usually followed a visit with my mother, or even a phone call. On the other hand, though, it was deliciously subversive. And true. I've recently lost her respect again — incurred her muted wrath, even — and while it stung, it didn't crush me. Actually, I felt the opposite of crushed: expansive. Whole.

The violets returned in the spring, of course. They are weeds. It's not an epithet; it's a compliment. I've learned that violets and pansies are related; there's an Arlo and Janis comic where Janis is admiring her spring flowers and thinks to herself, "Pansies aren't." In addition to the violets, when I moved into the duplex, I transplanted grape hyacinths, snow glories, white daffodils, and bearded irises. When I moved out eight years ago, I dug up most of them to plant in my new yard, but it was summer, and I'm sure I missed some of the dormant bulbs; I also deliberately left some of the irises. Maybe this spring I'll finally go back and see what's growing.




violetcheetah: (Default)
Thought I'd post the picture book manuscript I was working on in the last scene of the memoir. The numbers are page numbers; a picture book usually has 32 pages, or 16 two-page spreads, so pretend you are turning the page with each new number.

Read more... )



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